Except where explicitly posted, you have the right to take a photograph from any public place.
Sounds quite unequivocal, doesn't it? But this right is being undermined, mostly by over-zealous authorities, and, of course, our omnipresent Homeland Security.
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Locally, the Atlantic Yards footprint is becoming a photographer-harassment zone. Just ask Adrian of the blog A Brit in Brooklyn, or Norman Oder of the Atlantic Yards Report who has been stooped and questioned several times while near Ratner's hole-in-the-ground. Mostly by private security, of course, but the police are only a call away. Oder on being stopped:
"Though I asked for more of an explanation, Sgt. Jones of the 77th Precinct (right) said he didn’t have time to provide one, and forcefully but not roughly gripped my arm and walked me across the street."
New York City has also tried to prevent photography in the subway
And then there's this good read from Bruce Schneier's The War on Photography:
What is it with photographers these days? Are they really all terrorists, or does everyone just think they are?
Since 9/11, there has been an increasing war on photography. Photographers have been harrassed, questioned, detained, arrested or worse, and declared to be unwelcome. We've been repeatedly told to watch out for photographers, especially suspicious ones. Clearly any terrorist is going to first photograph his target, so vigilance is required.
Except that it's nonsense. The 9/11 terrorists didn't photograph anything. Nor did the London transport bombers, the Madrid subway bombers, or the liquid bombers arrested in 2006. Timothy McVeigh didn't photograph the Oklahoma City Federal Building. The Unabomber didn't photograph anything; neither did shoe-bomber Richard Reid. Photographs aren't being found amongst the papers of Palestinian suicide bombers. The IRA wasn't known for its photography. Even those manufactured terrorist plots that the US government likes to talk about -- the Ft. Dix terrorists, the JFK airport bombers, the Miami 7, the Lackawanna 6 -- no photography.
Given that real terrorists, and even wannabe terrorists, don't seem to photograph anything, why is it such pervasive conventional wisdom that terrorists photograph their targets? Why are our fears so great that we have no choice but to be suspicious of any photographer?
Because it's a movie-plot threat.
A movie-plot threat is a specific threat, vivid in our minds like the plot of a movie. You remember them from the months after the 9/11 attacks: anthrax spread from crop dusters, a contaminated milk supply, terrorist scuba divers armed with almanacs. Our imaginations run wild with detailed and specific threats, from the news, and from actual movies and television shows. These movie plots resonate in our minds and in the minds of others we talk to. And many of us get scared.
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